Inspiration is fickle. There’s no telling when a brand new melody or beat or sound will pop into life on your mind. When it does, it can be approximately as slippery as a greased eel, with even the slightest distraction vulnerable to return the idea, ghostlike, to the ether from whence it got here. In the absence of a manner to run a line-out out of your noggin’s inner sound machine, then the great component to do is to get your idea sketched out in your studio as soon as feasible.
Once upon a time, while that mystical fizzle of suggestion struck, you may activate a synth, deliver its sign up on a table, and then start to work out the concept nearly at once. However, with a contemporary DAW, you need to boot your pc, load the software, create a assignment, create a track, select an instrument, find a appropriate patch or sample financial institution for that tool, installation results, etc. forth. The spontaneity is misplaced, and the possibilities for distraction amplify with every step.
Thankfully, the clever folks over at Steinberg acknowledged this shortcoming with DAWs and feature-packed Cubase with an effective set of equipment to mitigate the trouble.
As a regular Cubase user, you’ll be well conscious that, while developing a brand new Cubase undertaking, you are shown the Project Assistant window from wherein you can select a template to act as the start line for the mission. While the usual built-in templates may be useful, what we’re clearly interested in right here is the capability to make custom templates tailored to fit your very own rig and requirements. This is easy to do, as I’ll display you inside the walkthrough.
Project templates can include the whole thing that a everyday project file shops: audio engine settings, I/O, inner routing, tracks, consequences, gadgets, drum maps, and so on. Templates can also contain real track content, but for this to work reliably with audio and video content material, the associated media documents must be saved in a not unusual library vicinity that’s continually available to Cubase. You also want to be conscious that any modifications to such source-media documents will impact any projects – past and destiny – based on that template.
While challenge templates are a brief and available way to configure Cubase for a particular form of consultation, their usefulness only goes thus far. It could be impractical to create templates that cover each viable eventuality and that they provide no way of dashing things up after you’ve created a new challenge and started running inside it. This wherein presets are available to play.
The most convenient way to get the right of entry to Cubase’s presets is through the Media tab of the right-hand region of the task window. The User Presets folder suggests those you’ve created, and Presets shows you all predefined and consumer-created presets. Each of these folders carries several subfolders, one for each of the different kinds of preset that Cubase manages.
Track Presets outline among the settings for a track – like a name, channel configuration, inserts, pan function, and so forth – and can be dragged from the Media Browser on your assignment or implemented to present music. Cubase comes with presets for audio, tool, sampler, and MIDI tracks. You can also create multi-song presets containing definitions for two or extra-person tracks immediately, perfect for growing drum recording or vocal double-monitoring set-ups.
There are two types of preset for coping with outcomes plug-ins. VST FX Presets define an impact plug-in and its parameters, even as FX Chain Presets keep the plug-ins and settings used by a chain of processors. You can drag those presets to a track’s Insert stack in the venture window, load a preset into music in the MixConsole, or drag a preset to the Track List to create a brand new ship impact out of the plug-in or chain.